HORT ELVISON 
            Hort comes from a long line of show business people. The 
son of Bruno and Clara Elvistein, a Viennese mime team who fell upon 
hard times when without warning Bruno became convinced he was Billie 
Holliday, young Hort spent his adolescence touring Europe in an early 
incarnation of "Up With People". But the road was a harsh mistress and 
things were never easy for Hort and his compadres. Too poor to afford a 
whole hotel room, they had to take shifts sleeping upright in a closet, 
sublet from a Lithuanian 
poultry merchant 
named Donny. 
   Things began to look 
up when Hort shortened 
his last name to Elvison 
and moved to Los 
Angeles. By day he 
worked breeding osce- 
lots and at night he 
played in a group called
the Sleeping Walkers, an existential polka band fronted by a set of 
identical, narcoleptic triplets named Walker. 
            They achieved a measure of success until the lead singer met 
with a fatal accident after falling asleep on a Slip'n'Slide. The band 
folded. Despondent, Hort practiced his drums alone in his room for 
years, reading pamphlets like "Horticulture and the 17th Century 
Church" and consuming vast quantities of "Moon Pie" marshmallow 
sandwiches.And then fate intervened. 
            Hort knew it was an omen when he opened the South El 
Monte Weekly Shopper and read "Atmospheric, Neo-Motown, post- 
Zydeco, pre-CBS psychedelic country surf, blues band with it's own van 
seeks sensitive, intellectual drummer with Master's degree in bio- 
chemical engineering. No flakes." Of course it was what would soon be- 
come the infamous "Swirling Eddies". 
           Singer Camarillo Eddy remembers Hort's fateful audition: "I 
knew instantly that we'd found our drummer when Hort came right up to 
me and hit me in the face, without saying a word. And when I noticed 
                                       tapioca pudding seeping out of his 
                                             coat pockets, well, that was it." 
 
            Hort's intimidating presence and striking physical resemblance to 
Peter the Great (before his surgery) have made him an irreplaceable part of 
the Eddies' saga. 
 
SURVIVAL IN THE OUTDOORS
By Rex Alfresco
      Ok, let's get this out in the open. First off, I don't want 
to write this stupid column. Some clown name o' Armadillo 
Eddy or somethin' is blackmailing me. He come blundering 
into one of my skunk traps one day and he said he'd let a 
certain supermarket tabloid know of my whereabouts if I 
didn't write this hoky column for his newsletter, So, if I want 
to keep my anonymity in these exquisite environs I guess 
I better get to typing. This month's outdoor tip is on avoid- 
ing dangerous animals and photographers. 
      The most important factor in remaining hidden in the 
wild is camouflage. For instance, in winter I've found that my 
white sequined outfit blends perfectly with any glacier or 
snowbank I may happen to be hiding in.l've had polar bears 
sniffin' my pompadour and never knowing it was me. 
        In spring I usually wear the "Jailhouse Rock" getup. 
Hunters and hikers commonly mistake me for just another 
escaped con ditchin' the heat. 
      Sometimes it takes more than camouflage to avoid 
those nasty brutes. One day I was sitting on a log toying with 
a rap version of "Rock-a-Hula Baby" from Blue Hawaii 
when this giant anaconda come slithering down from a 
nearby tree and wraps his evilsome coils about me. Well, I 
can tell you he was more than a bit surprised when I picked 
up my guitar and began gyrating like Jimmy Swaggart's 
worst nightmare. There was a whole LOTTA shakin' goin' 
on! I musta thrown him thirty feet. 
      Well, I hope these tips have helped you become a safer 
outdoorsperson. I gotta run, I think I see Geraldo coming.
 
 
 


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